Hey Folks, Jeff Lenney here and THANK YOU for stopping by for my Fiction Profits Academy Review, by Karla Marie . You know, the program that's been buzzing like a beehive in the self-publishing world – especially for Kindle Direct Publishing (KDP) enthusiasts.
For those who don't know me, unlike those Worthless Affiliates who review everything, call it a scam and then refer you to something else - I never recommend a program (or not) unless I actually get it and go through it first to see if it delivers on what it promises!
That was certainly the case here, so let's get to the reason you're here:
What IS Fiction Profits Academy All About?
I got it, so I can show you!
That said, buckle up, because we're about to dissect this self-publishing for beginners academy like a well-loved paperback.
BUT FIRST - before we get started, I want to share 2 things;
My First Impressions
A little bit about the Author, Karla Marie
My First Impressions of Fiction Profits Academy
Fiction Profits Academy Members Area
Right off the bat, Fiction Profits Academy makes a strong initial impression with its slick interface and focus on building a comprehensive author brand. However, be aware that this emphasis on brand-building and mastering Amazon's algorithms hints at a potential oversimplification of the self-publishing process.
While exploring high-profit fiction genres is valuable, remember that true success on Amazon requires much more than just exploiting the algorithm. It still demands quality writing, compelling storytelling, and consistent effort.
Now, that piqued my curiosity, especially for those wondering about high-profit fiction genres to explore!
Who is Karla Marie?
Karla Marie, the creator of Fiction Profits Academy, heavily promotes herself as a six-figure KDP author and self-publishing guru promising to empower writers to achieve their passive income dreams.
While she claims to have published 60+ novels and coached over 1,000 authors, much of her income likely stems from Fiction Profits Academy, a community where writers learn to master KDP and ignite their fiction careers.
Beyond the Numbers:
It's crucial to note that Karla's success could be primarily driven by:
- Self-Promotion: Her experience in the Amazon landscape is significant, but her own success as a best-selling KDP author is difficult to independently verify.
- Program Profits: Her primary income source may be from selling the Fiction Profits Academy course, rather than from her own book royalties.
- Community Control: While the Fiction Profits Academy community may offer support, be wary that testimonials and the overall environment are likely tightly managed.
Fiction Profits Academy Review: A Cautionary Tale of the "Get Rich Quick" KDP Craze
The promise of building a lucrative passive income stream through Amazon's Kindle Direct Publishing (KDP) platform is undoubtedly alluring. The notion of writing a book once and reaping ongoing royalties seems like a path to easy riches.
Unfortunately, programs like the Fiction Profits Academy (FPA) prey on this desire, promising unrealistic results with exorbitant fees and minimizing the genuine effort, risks, and hidden costs involved in the KDP market.
The Fiction Profits Academy Formula
FPA, fronted by Karla Marie, boasts a simple formula for achieving KDP success. Their marketing heavily emphasizes Marie's alleged $20,000 per month in passive income – a powerful incentive for those eager to improve their financial situation.
The core principles promoted by FPA include:
- Niche Selection: The program emphasizes the importance of choosing profitable niches within the vast Kindle marketplace.
- Ghostwriting: FPA promotes the extensive use of ghostwriters, essentially outsourcing the core task of writing books.
- Rapid Publishing: The program advises a strategy of consistently publishing new books, ideally one every month, to increase potential earnings.
- Amazon Marketing: FPA teaches students to leverage Amazon's tools and advertising options to promote their books and boost visibility.
On the surface, this formula might seem like a straightforward blueprint for success. However, firsthand experiences shared by users paint a drastically different picture.
The Red Flags: A Pattern of Misleading Promises
Numerous red flags emerge from reviews, testimonials, and online discussions surrounding FPA. These raise serious concerns:
- Unrealistic Expectations: The promise of immediate and substantial passive income with minimal effort is a hallmark of "get rich quick" schemes. While KDP can be a legitimate income source, success usually requires significant time, effort, a bit of luck, and the development of relevant skills.
- Inflated Costs: FPA's introductory price point of $1,995 is already a substantial investment. However, the true costs escalate rapidly when considering essential expenses like ghostwriters, editors, cover designers, marketing services, and the percentage of your profits FPA claims.
- Lack of Transparency: Skepticism surrounds Karla Marie's own success in KDP. While she claims to be a best-selling author, concrete evidence to support these claims is surprisingly scarce, raising doubts about her own results. This casts a shadow over the program, suggesting that FPA's primary profit source may be the program itself rather than the actual sale of books.
- Aggressive Marketing Tactics: The promise of a $500 bonus for attending introductory webinars, coupled with high-pressure sales tactics, creates a sense of manufactured urgency. These strategies aim to push people into impulsive decisions rather than thoughtful consideration.
The Potential Pitfalls of KDP
Even when you set aside the questionable practices of programs like FPA, it's important to understand the inherent challenges of KDP:
- Market Saturation: The KDP marketplace is highly competitive, especially in popular genres. Standing out amongst established authors and an endless stream of new releases requires both skill and a degree of luck.
- The Need for Skills: Even if you outsource writing to ghostwriters, success still heavily depends on your ability to identify profitable niches, understand cover design principles, and strategize effective marketing campaigns.
- Unpredictable Revenue: Book sales can fluctuate wildly. Consistent, reliable passive income takes time and a dedicated approach to build.
Proceed with Extreme Caution: Is it Worth the Risk?
While there are legitimate ways to generate income through KDP, programs like FPA often prioritize selling the dream over delivering the tools and knowledge to make it a reality. The primary goal of these programs seems to be profiting from your desire for quick and easy money, potentially leaving you further in debt than when you started.
Before investing in FPA, it's crucial to consider the following:
- Educate Yourself: Explore the wealth of free resources available from Amazon and online KDP communities to gain a solid understanding of the platform and the publishing process.
- Test the Waters: Try your hand at writing and self-publishing a short ebook. This low-risk experiment will give you a taste of the process and help determine if it's something you enjoy.
- Consider Alternatives: Research other online courses or resources on KDP strategies. Look for options that present a more balanced view, acknowledge potential challenges, and are offered at a reasonable cost.
My Review & Final Verdict
KDP can be a viable path towards building a side income or even a full-time career, but it requires dedication and an eagerness to learn. If you have a genuine passion for writing and are willing to invest time and effort, KDP holds potential.
Programs like Fiction Profits Academy, however, might offer a shortcut to an empty wallet rather than the promised path to financial freedom. Remember, true success in KDP takes time, persistence, and a willingness to master the fundamentals behind self-publishing.
What do I recommend Instead of FPA?
Looking for a Sustainable, Realistic Approach to KDP Success?
While programs like Fiction Profits Academy may promise quick fixes with steep price tags, the truth is that building a profitable KDP business takes effort, dedication, and knowledge of industry best practices.
If you're ready to invest in a proven system with a focus on quality, I invite you to consider the "Book Income Stream Machine" self-study program.
Why Choose the "Book Income Stream Machine"?
- A-Z Approach: This comprehensive program guides you through a 9-step process, demystifying KDP and turning your writing into a genuine income source.
- Community Support: Connect with like-minded individuals in our dedicated Facebook group, fostering collaboration and accountability.
- Essential Resources: Access a vault of templates, ad strategies, trackers, and bonuses to make your publishing journey smoother.
- Expert Guidance: Learn proven strategies for optimizing your books on Amazon for long-term success.
- Continuous Learning: With lifetime updates, you'll always have the latest KDP knowledge at your fingertips.
- Unbeatable Value: Get the tools and knowledge you need at HALF the price of programs like Fiction Profits Academy!
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I am glad I took the time to read your post. If it seems too good to be true, it probably is, as it’s been said through the ages.
Not unlike Maureen’s comment about the ghostwriters, FPA tells students to underpay cover designers as well.
I helped an FPA student with their cover and was told by the student that FPA coaches tell them to never pay more than $50 for a cover design. The issue is, the students don’t realize that for $50, you’ll get a clipart character cover where element art-styles don’t match because those cover designers, in that price range, are just using library of art elements that they slap together and tell the student that this is what they get for $50.
If this doesn’t leave the student frustrated enough, the student shows the coach the cover they paid $50 for and the coach tells the student to ask for a bunch of customizations. The student thinks that, armed with this information, the cover designer will make customizations for free, all in the name of “never pay more than $50 for a cover”.
FPA sets these students up for failure. To get the cover design they truly want and that will have great “curb appeal” and actually tell the story of the book in a cover design, they will never, in most all cases, get that for $50.
The student I helped went to their meetings and shared how much they liked working with me and several other students reached out to me to have me design their covers and the story is the same, “I was told to never pay more than $50 a cover.”
But every time, the student has taken the cover to their next coach meeting and the coach tells them to ask for a bunch of customizations.
I wish I could sit in on those meetings and tell the coaches that they can’t tell students to “never pay more than $50 for a cover” but set them up to try and get a $200 cover designed for $50”.
I felt like I could make a little side-hustle income designing covers for these students but compromise that it will be a $200 cover for an “affordable price”. I’ve actually explained to a few students that they are asking for 8 – 10 hours of work for $50. Then ask, “do you think it’s fair to pay me $5 or $6 an hour for a customized cover?”
They then say, “But I’m not making money yet selling these books… yet”. So what FPA is teaching them is… everyone involved in helping you in this dream of making $20,000 a month someday, will need to not make what they are worth. They compare their book to those in the Top 100 of their specific genre and think every cover they are looking at cost $50 to have made and FPA coaches don’t tell them any different.
I don’t blame the students I’ve interacted with, it’s all on FPA. To tell them to pay as little as possible for a ghostwriter and cover designer will result in less-than desired quality work. One student told me, “I don’t get cover designers, they refuse to give me exactly what I want for me cover”, to which I replied, “because you’re paying for a $50 cover”.
Hi Bombadilio,
Thank you for taking the time to share this. What you described perfectly matches what I’ve heard from others and reinforces a big issue with FPA’s approach.
Telling students to never pay more than $50 for something as important as a book cover sets unrealistic expectations and does a disservice to everyone involved. It puts unnecessary pressure on designers and leads to subpar results for authors. Nobody wins in that situation.
I really appreciate you stepping in to help those students while also educating them on what quality work truly costs. Hopefully more people will read your comment and understand that quality design is an investment, not a cost to be minimized at all costs.
Thanks again for adding your voice to the conversation.
Jeff
Jeff, I stumbled upon your review on my way to FPA’s website to sign up. I sure am glad I did, and to also read Maureen’s review. Both reviews have been invaluable to me, that I can’t begin to thank you enough. I am involved financially with two other entities as I write, and certainly do not need a third. No income from either, as well, at this juncture. I still have much to learn. Due diligence needs to be first on my list! I do not know where I’m supposed to land yet, but I imagine I’ll know when the opportunity presents itself. In the meantime, stay well and wonderful, and I will carry on with my search for that passive income source, within the constraints of my tight budget.
Best Regards,
Sheri
Hi Sheri,
Thanks so much for your kind words. I’m really glad the review helped you pause before signing up. It’s tough out there with so many big promises, and you’re absolutely right. Doing your due diligence is key.
You’re approaching this with the right mindset. It makes sense to hold off on new commitments when the others haven’t paid off yet. Keep learning, trust your instincts, and stay patient. The right opportunity will show up when the time is right.
Wishing you all the best on your journey.
Jeff
One thing that makes FPA problematic is that they encourage their students to pay well below industry standard for editors and ghostwriters. Then the students wind up getting what they pay for when they pay third-world or poverty wages for professional writers and editors. You’re not going to make passive income from your books when you’re paying $800 total for three books. $800 isn’t even industry standard for ONE book when you pay a quality ghostwriter.
Source: I edit and write on Upwork, and I see these FPA posts daily. I’ve also worked with some of these clients.
Hi Maureen,
Absolutely! You bring up an excellent point about the core problem with FPA’s model. Not only does it promote unrealistic expectations about profits, but it also pushes students to undervalue the critical services of editing and ghostwriting.
Paying below industry standard inevitably leads to subpar quality in these essential areas. The expectation of significant profit while cutting corners on the fundamentals of producing a quality book is a recipe for disappointment. It ultimately harms both the student who doesn’t get the results they paid for and the underpaid writer or editor struggling to deliver professional work at unsustainable rates.
Thank you for sharing your perspective as an Upwork professional. Your firsthand experience with the fallout of this approach is invaluable.
Thanks
Jeff